The Weir

Conor McPherson

The Weir

Madeleine Girling


Madeleine won the Linbury Prize for Stage Design in 2013.  She trained at the Royal Welsh College of Music and Drama.
Recent theatre designs include: The Shape of the Pain (China Plate); Go Between (Young Vic); Babe, the Sheep-Pig (Polka Theatre/UK Tour); Rosencrantz and Guildenstern Are Dead(Shanghai Dramatic Arts Centre); Always Orange, Fall of the Kingdom, Revolt. She Said. Revolt Again (also Traverse Theatre/Shoreditch Town Hall), The Ant and the Cicada (Royal Shakespeare Company); Julie (Northern Stage); Right Now (Ustinov Studio Bath/Bush Theatre/Traverse Theatre); A Skull in Connemara,Arcadia, Time and the Conways (Nottingham Playhouse); The Harvest (Ustinov Studio Bath/Soho Theatre); Little Light (Orange Tree); The Chronicles of Kalki (Gate Theatre); Gardening for the Unfulfilled and Alienated (Undeb Theatre); Tender Napalm, How to Curse (BOVTS); Hey Diddle Diddle, The Life After (Bristol Old Vic);The Cagebirds (LAMDA); Blood Wedding (RWCMD).
Production Design includes: The Welshman’s Guide to Breaking Up (Boyo Productions. Co-design).
Other awards include:
Lord Williams Memorial Prize for Design (2012).

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