• The Pink Paper  
• The Telegraph  
• The Evening Standard  
• The Independent  
• The Sunday Times  

•  There is, quite simply, nothing bad to say about this production. 

  The Stage
  
•  

  A wonderfully ambitious, often surreal and unashamedly heart-on-sleeve romp�there are things in Hettie Macdonald's fluid, light-touch production that I'll remember always...This is a play that screams do not go gently and do not keep silent

  The Guardian
  

• Saw the play on the last night of its tour! The interwoven stories of the characters as they gradually reveal past connections set against a background illustrating the change in the political climate is expertly drawn. It captures the feeling of an entire generation of Gay men to the attitude of the younger generation's laissez faire attitude, which is in fact purely a product of the struggles that were faced by the older generation.. What seems at first a dated piece of theatre reveals itself to be a historical document with a very relevant message at the climax. The speed of the drama is exhilirating and keeps you on the edge of your seat throughout. The use of the characters apearing alongside their selves in the past and trying to offer guidance in hindsight is a brilliant vehicle for illustrating how the human mind will revisit past actions that we are suvconsciously, unhappy with or ashamed of. The powerful cast created an eveing of spellbinding drama

  Adrian Willis
  

• Quite simply one of the best plays I have seen. Quite outstanding. Funny yet hard to watch in equal measures. Thought provoking. Also outstanding acting by everyone, but especially Ryan Sampson.

  Marion Giddings
  

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