The Hypochondriac

Roger McGough after Moliere

About the Production

ADAPTATION      Roger McGough
DIRECTOR   Gemma Bodinetz
DESIGNER   Mike Britton
COMPOSER   Connor Lineham
LIGHTING DESIGNER   Charles Balfour
SOUND DESIGNER   Jason Barnes
ASSOCIATE DIRECTOR   Lisa Spirling
CASTING   Ginny Schiller


THOMAS      Toby Dantzic           
BONNEFOI   Chris Porter
CLEANTE   Jake Harders
DIAFORIUS   Neil Caple
BERALDE   Simon Coates
ARGAN   Clive Francis
BELINE   Brigid Zengeni
TOINETTE   Leanne Best
ANGELIQUE   Lucinda Raikes


Laughter is the best medicine...

Argan is a perfectly healthy and wealthy gentleman, convinced that he is seriously ill. So obsessed is he with medicinal tinkerings and tonics that he is blind to the goings on in his own household.  However, his most efficacious cure will not appear in a bottle or a bedpan, but in his sharp-tongued servant, who has a cunning plan to reveal the truth and open her master’s eyes…Following last year’s hysterical and critically acclaimed Tartuffe, Liverpool’s Poet Laureate, Roger McGough, dips his magic quill again by adapting another classic Molière comedy. This time he turns prose into verse with a witty laughter tonic. The Hypochondriac was Molière’s last play and a scathingly funny lampoon on both hypochondriac and the ‘quack’ medical profession. Un tour de farce…

 

Our Co-producers

The Liverpool Everyman and Playhouse

Production Photographs

Rehearsal Photographs

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Latest Reviews

  • The Independent  
  •  

    The pace and verve never wavers...This hypochondria can be catching

    The Guardian
  • The Times  
  • Gemma Bodinetz's production spins along, with Lucinda Raikes as the ingenue, all saucer eyes and button mouth, and Brigid Zengeni beautifully bruising as the money-grubbing stepmother; the duping scenes are funnier than you could have thought possible.

    The Observer
  • The Sunday Times  
  • Piled high with scatological humour and tongue-in-cheek French badinage. Gemma Bodinetz's spirited production, headed by a genially fractious Clive Francis as the obsessive worrier Argan, is a joy.

    The Telegraph
  • What's On Stage  
  • The same sense of silliness, of clever wordplay and knowing nods to the audience shines through in vastly enjoyable swathes of this repeat prescription of Molière from the Scouse poet’s pen.

    The Liverpool Echo
  • WITH the success of last year’s Tartuffe to follow, this new “McGoughiere” had soaring expectations to meet, but by God it did it – with bells, daft moustaches, double entendres and preposterous pantaloons on.

    Liverpool Daily Post
  • There are moments when the rhyming couplets and gags are dangerously close to pantomime but the "McGoughiere" wit (as the Playhouse describe it) keeps it just on the right side of class

    Liverpool Confidential
  • Having first seen an ETT production at the age of fifteen , I was delighted that after graduating from drama school in September, on a flying visit home to see my family in Malvern I was able to catch the ETT's current production of The Hypochondriac. I've admired Roger McGough's work since my early teens, so was excited to learn it was he who had adapted the piece, and he did not disappoint. With a fair amount of chopping from Moliere’s original script, McGough has produced a tight, fast paced, and at times hilarious adaptation playing with the verse in such a way that when spoken by the actors the effect is as if listening to a highly skilled pianist tinkle the ivory's most pleasingly. Of course credit must also be paid to the actors, most of who achieve this very pleasing delivery, however I believe the material lays ample foundations on which the actors are able to build. Those who know McGoughs work (including his little venture in to the pop charts - watch out for a couple of familiar lines in the script!). Production values are - as always with the ETT - excellent with exquisite costuming and very detailed, amusing and effective set design. Each aspect of this production compliments the other. Clive Francis is an excellent leader of the company - exuding energy (although he is on stage for almost all of the performance), possessing immaculate comic timing, masterfully performing the lead in this piece, and in all honesty seeming to have an absolute ball throughout. Leanne Best matches Frances with her high energy and beautiful comic timing as Toinette - she is a joy to watch as is Tony Dantzic's hilarious mismatched suitor, Thomas. Lucinda Raikes is lovely and flighty as Angelique, and Simon Coates brings a little calm and sense to proceedings with a strong and grounded Beralde. A beautifully directed, adapted and mostly acted piece of theatre.

    Sonna Cadmen
  • Dear English Touring Theatre, What a treat, what joy! We were at the New Wolsey to see The Hypochondriac and were totally captivated by your blissful performance. How we laughed and how we were tickled by your timing and puns. It is very moving to see such work and congratulate you all for marvellous perfomances and spectacular delivery of Roger McGough's terrific script. Thank you, Richard and Geraldine Taylor, Tunstall, Suffolk

    Richard and Geraldine Taylor
  • Many congratulations to everyone on The Hypochondriac which we greatly enjoyed at the Yvonne Arnaud on 22 October. We thought that Leanne Best was outstanding as Toinette.

    Ken and Chris Gregory
  • Wow, what a performance! I hadn't read Moliere since High School and don't speak a word of French so I wasn't particularly keen on seeing this play. However it was my partner's birthday and he got to pick the activity to celebrate. He was very insistent there would be something in it to amuse me, as I am a nurse. Oh my God it was hilarious. In fact it was so good I am certain I must have missed a good 20% of the literary genius in the translation and adaptation. Before I'd finish processing one brilliantly delivered and perfectly outrageously funny line, 2 or 3 more would be coming at me faster than I could think. I felt the presence of both Moliere AND Benny Hill in the theatre, it was so comically spritual. Please please please tell me how I can get a copy of the script so I can read what I might have missed. It really is something you need to see more than once, as most mere mortals such as myself could not possibly catch everything in one go. Again, an amazing script, performance and memorable night out. Please thank Mr. McGough and the cast.

    Nancy Healy-Sullivan
  • Hi, Caught your production at Malvern with three friends. Fantastic! We all had a whale of a time. Every one of the cast had impeccable timing and such a dream script nonetheless takes expert delivery. A terrific production that steamed along and was absolutely first rate entertainment. What a treat. Thank you! Best Wishes, P Rushton

    P Rushton
  • I wanted to write to say how much I enjoyed The Hypochondriac at Cambridge. It was totally wonderful- bright, witty, pacy and thoroughly entertaining. Thank you so much.

    Christine Miskelly
  • Went to see this last night - took a while for the style to grow on me but it did and I really enjoyed the humour, with some great acting.

    Ben .

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Tour Dates

  • 19 Jun - 18 Jul 2009
    Liverpool Playhouse
    Liverpool
  • 16 Sep - 19 Sep 2009
    Cambridge Arts Theatre
    Cambridge
  • 22 Sep - 26 Sep 2009
    Malvern Theatres
    Malvern
  • 29 Sep - 3 Oct 2009
    Richmond Theatre
    Richmond
  • 6 Oct - 10 Oct 2009
    Theatre Royal Brighton
    Brighton
  • 20 Oct - 24 Oct 2009
    Yvonne Arnaud Theatre
    Guildford
  • 27 Oct - 31 Oct 2009
    York Theatre Royal
    York
  • 3 Nov - 7 Nov 2009
    The New Wolsey
    Ipswich
  • 10 Nov - 14 Nov 2009
    The Nuffield
    Southampton


The Hypochondriac
Roger McGough after Moliere


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