Far From the Madding Crowd

A new adaptation by Mark Healy, based on the novel by Thomas Hardy

About the Production

DIRECTOR   Kate Saxon
DESIGNER   Libby Watson
MOVEMENT DIRECTOR   Georgina Lamb
COMPOSER   Gary Yershon
LIGHTING DESIGNER   Oliver Fenwick
SOUND DESIGNER   Duncan Chave
ASSISTANT DIRECTOR   Helen Leblique
VOICE COACH   Majella Hurley
CASTING DIRECTOR    Ginny Schiller


WILLIAM BOLDWOOD Stephen Billington
FANNY ROBIN/TEMPERANCE Jennifer Bryden
GABRIEL OAK Phil Cheadle
SERGEANT TROY Adam Croasdell
LIDDY SMALLBURY Laura Elphinstone
BATHSHEBA EVERDENE Rebecca O'Mara
HENRY FRAY/SHEPHERD
MERCHANT 2
Jack Sandle
MARYANN/MRS HURST Cleo Sylvestre
SOLDIER/MATTHEW MOON Gwynfor Jones
SOBERANCE Ruth Westley
JAN COGGAN/VICAR Noel White
JOSEPH POORGRASS Gareth Williams
PENNYWAYS Johnson Willis


I shall do one thing in this life. That is love you, long for you and keep wanting you 'til I die.

Thomas Hardy's much-loved classic is brought dramatically to life in this thrilling new production which fuses vivid story-telling, live folk-song and humour in a dynamic ensemble staging.

Having inherited her father’s farm, a spirited and feisty young woman - Bathsheba Everdene, finds herself playing mistress in a man’s world. She is pursued by three would-be lovers: the constant shepherd, Gabriel Oak; the obsessive landowner, William Boldwood and the reckless Sergeant Troy. But are any of them a match for the wilful Bathsheba?

Based upon one of Hardy’s most popular and enduring novels, Far from the Madding Crowd takes us on a theatrical journey through Hardy country, following a passionate young girl propelled into womanhood by her experiences of love and loss. 
 

25 November 2008

Director's Thoughts

Went to catch up with the show in Malvern last week and to lead an education event. Each time I visit, the company are further enthralled with each other which is great to see – they’ve really bonded as an ensemble, which gives me a warm feeling as the person who brought them all together! And even better, I feel they’ve gone from strength to strength on stage, too. Their close bond helps this, as does that fact that they are proud of the work we did in the rehearsal room and have been absolutely committed to keeping it true to our choices and fresh for each new audience. It’s a good place to be.  (Kate Saxon - Director)


22 October 2008

Newcastle

How great to be playing a space so expansive and open.  It suits the show.  It's wide and with a great acoustic.  It is purposeful and lively in the building and there's a lot going on.  We've been greeted warmly and received with enthusiasm by all inside and audiences have been brilliant.  More or less full for the rest of the week--it looks like being a memorable time.  Lucky man me!  (Johnson Willis - Pennyways)


18 October 2008

New Space

This has already been said, but Ipswich has been a really lovely space to work in.  I think everyone was a little apprehensive about its shape (bits of the set had to be removed) and more studio-y feel.  But we had a fabulous warm welcome from the local staff and the general feeling is that being in a very different space has given the show a refreshing lift to counter any mid-term tiredness!  Wicked.  (Ed - Tour Tech and Sound)


17 October 2008

Another Week...

Another week another town.  This is my first time in Ipswich.  The theatre is lovely, very intimate, and the houses have been full and very responsive.

We are all loving it at the moment and wish Ipswich could go on and on, however Newcastle beckons.  Bring it on.  (Jack - The Shepherd)


16 October 2008

Understudying

And so understudying continues...I think we were all feeling a bit slow on the lines today, mainly due to me personally being shattered after the double shows yesterday.  It's amazing how quickly I seem to forget the lines.  Thank God we have rehearsals every week!  Despite having to be in today we were all in high spirits...Ipswich has a lovely jubbly vibe!  (Ruth - Soberance)


15 October 2008

Ipswich

Moving the set into different theatres certainly keeps us on our toes.  We had an array of bruises, cracked heads, and momentary embarrassments doing the first show here last night.  A few of us found ourselves scrabbling at blacks to get off, we also walked into posts and flats.  It keeps it interesting.

The Wolsey is also our most intimate space yet, with the audience so close we seem to be belting it out as we had to at Oxford, but feel we need to reign it in so as not to frighten the punters.

Nice thoughtful crowds, though, and the space is great.  Full or nearly full houses are also a thing to enjoy.  (Stephen - Boldwood)


14 October 2008

Gaffer Tape Moustaches

Today we experimented with gaffer tape moustaches.  We looked like Adam.  It was cool.  (Andy - TSM)

I would have to concur.  (Adam - Sergeant Troy)


13 October 2008

Punts!

Having spent most of our week in Cambridge mournfully staring at the canals through freezing winds and driving rain we finally got some extremely unseasonable sunny weather in Oxford and took the opportunity for a 'work outing' on the punts.  Cue six befuddled actors and two stage managers trying to navigate The Isis without falling in or getting so lost we missed the show.  Luckily neither happened and we had a great time taking in the beautiful scenery and racing our two punts (our boat won by the way, and there was certainly no underhand behaviour of tugging at each others' ropes or stealing oars).  Afterwards we rewarded our valiant efforts with a trip to 'Pieminister' in The Covered Market where we quite literally ate all the pies, so a perfect day all in all.  As Wolverine then pointed out - what could be better than a good pie and a punt?  Nothing much I reckon.  (Susie - ASM)


1 October 2008

Cambridge...

Cambridge - after three long, but neccessary weeks in Exeter. I have to say that visiting beautiful cities across the UK like this one, is one of the amazing perks of touring a show. The downside is that the wings in this theatre are absolutely miniscule, leading to countless panicked interchanges between white-faced actors elbowing each other out of the way to make it onstage on time. It's that sort of brilliant theatrical appearance versus reality - the audience (hopefully) see calm, controlled performers - but if they only knew. To give you some idea of the realities of our time so far in the theatre here in Cambridge watch Noises Off again. Excellent fun actually, although I think some punting on the Cam is probably in order now to soothe my ragged nerves. Ah, second show tonight - everyone's looking remarkably calm and collected. Watch this space....(Adam - Troy)


17 September 2008

I am Wolverine Boldwood

Well we have to play catch-up on these blogs as we were all too tired, busy and unsettled during Tech and Previews to be able to even think about what to write.

For me, arriving in Exeter, for some reason brought with it a facial hair epiphany! It must be said that Kate (Director) had been trying to convince me throughout rehearsals that Boldwood should have mutton chops (partly because there were more than enough beards in the cast already), but I had been sticking to my guns. Whether it was insecurity or a change of air, no sooner had we begun the Tech than I felt a strong urge to shave my chin. And my top lip. The chops were an instant success and as a result my nickname in the cast, and some of the crew, is now Wolverine!


4 September 2008

After the stagger-through...

We all felt daunted by the idea of running the whole play with an audience of invited dignitaries. Did we feel ready? Certainly not. But with reassurance from Kate that it was to be a 'stagger-through', we resigned ourselves to the inevitable.
Well, the play flew by, for me at least, and it was great to sit on the side and watch the scenes I'm not in. I thoroughly enjoyed the stuff with Bathsheba and her other men. My particular favourites: Oak proposes and the Epilogue: funny and moving. Plus the ensemble scenes are very engaging and at times exhilerating.
I, though, felt like I'd forgotten how to act and had that weird sensation of feeling hyper-aware and naked. My subsequent bout of despair was solved by Kate during the notes, apparently Boldwood's journey was becoming clear. Reminded me of something my old tutor Yat Malmgren used to say in his irresistably parodic Swedish accent: 'You can never judge a performance by the way that it feels'. (Stephen-Boldwood)


1 September 2008

...if we all call it a box...

The coffin has arrived, been built and now.......got in. The idea of lying in a coffin I've found more than freaky! But if we all call it a box then somehow it's a little more cope-able with. Although I'm sure that'll change once I've been in it with the lid down! (Jen - Fanny)


28 August 2008

'The English Way of Death'

Have finally found us a coffin! Having researched 'poorhouse' coffins with Cripps of London - who referred us to 'The English Way of Death: the Common Funeral Since 1540'. We have established it would have been a plain unfurnished wooden coffin (not a box) with rope handles. Lo and behold! you can get just such a thing from eco-coffins.com (check them out, they're brill) who are sending us one tomorrow. It's flat-pack though; images of Ikea-style nightmares are floating before my eyes! (Susie - ASM)


26 August 2008

Sitting in the Green Room on my own...

Sitting in the Green Room on my own listening to the 'Harvest Supper' music coming from the rehearsal room. I must admit to feeling a little left out, though it is sensible that Boldwood, and therefore I, should not be involved in the big physical/elemental scenes with the rest of the ensemble. I am left reflecting how in my one physical scene George has really got to the heart of Boldwood's agony and madness - poor guy  - how painful love can be...(Stephen - Boldwood)


23 August 2008

Hysteria!

It's Saturday morning and we're in rehearsal. It think the idea of working on a bank holiday is having an adverse effect on us all, we reached a level of hysteria not yet witnessed in the rehearsal room. It's childish, I know, but it was bound to happen at some point; we all rather immaturely found amusement in Liddy's line "I'm not afraid of Fanny!" We were laughing so much that Kate called a very well timed tea break, so we could all grow up a little bit. (Phil - Oak)


22 August 2008

Singing!

Singing this morning. Gary always manages to make learning so enjoyable. I'm just hoping that next time we do it in rehearsals I can remember the tunes unlike yesterday! (Cleo - Maryann)


22 August 2008

Research!

We are all preparing to deliver our research projects - there is some nervousness about this; "It's like being back at school" one cast member was heard saying. But Johnson is keeping the atmosphere relaxed and soothing in the Green Room by sweetly plucking his guitar - lovely! (Stephen - Boldwood


21 August 2008

Stagger through...

Had our first attempt at a stagger through on Act One - and it really was a stagger through! It was really good to see the shape of the first act and it was a great way of seeing where the huge holes were. Also had a bit of accent coaching - that is coming on quite nicely but it's the real detail of the accent that i'm finding hard. But I shall persevere! (Laura - Liddy)


20 August 2008

3 weeks in...

Had a useful production meeting - we have resolved many of the issues raised by this week's rehearsals - here till 9pm! (Helen, Karen, Cat, Cathy and Kate - Stage Management/Wardrobe/Director)


20 August 2008

Seven hours of country dancing...

Still stiff from Monday - we did seven hours of country dancing! The dance morphs into a storm scene, so come the end were were flinging ourselves about with abandon. Still it feels good. The number of physical pieces/moments means we are constantly practising crazy pitchfork dancing over cups of coffee. (Jack - Henry)


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Latest Reviews

  • The cast of thirteen rise to the challenge of this very physical production and capture the essence of Hardy's characters as we move through the story of Bathsheba Everdene's turbulent life as she struggles to asset her independence in a man's world.

    British Theatre Guide
  • What's On Stage  
  • Their latest production, a new adaptation of another of Hardy's finest works, is everything the trudging TV mini series isn't - shocking, fast paced and, above all, completely gripping.

    The Cambridge Evening News
  • Haunting...Brooding...Smouldering...DYNAMIC DRAMA

    The Guardian
  • I have just returned from a couple of days in Woking and was lucky to see your fabulous production of 'Far from the Madding Crowd' at the Yvonne Arnaud Theatre LAST NIGHT. it was one of the greatest evenings I have ever spent in a theatre. What a superb cast. Many congratulations

    John Ruddock
  • Hi! Just wanted to congratulate you on a brilliant production of Far From the Madding Crowd, which I and my friend saw at the Richmond Theatre last night. It was an absolutely stunning evening - a real theatrical experience that had us gripped and enthralled until the very end. Such imagination in the staging and the set and all the movement and dances that enhanced the unfolding of the story. I hardly like to mention the actors, as they didn't seem to be acting at all - everything was so real and one was just carried along. We chose the theatre evening as a birthday celebration for my friend and were very pleased with ourselves for making such an excellent choice! Thank you for your great dedication and the huge enjoyment that you gave. The very best of good wishes for the rest of the tour.

    David Walker
  • Last week at the Northcott Theatre in Exeter I saw possibly the best performance I have seen there in 30 years. Far from the Madding Crowd was dynamic and riveting. Great acting and choreography. Thank you.

    Dr Mike Anderson

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Tour Dates

  • 11 Sep - 27 Sep 2008
    Northcott Theatre
    Exeter
  • 30 Sep - 4 Oct 2008
    Cambridge Arts Theatre
    Cambridge
  • 7 Oct - 11 Oct 2008
    Oxford Playhouse
    Oxford
  • 14 Oct - 18 Oct 2008
    The New Wolsey
    Ipswich
  • 21 Oct - 25 Oct 2008
    Northern Stage
    Newcastle upon Tyne
  • 4 Nov - 8 Nov 2008
    Richmond Theatre
    Richmond
  • 11 Nov - 15 Nov 2008
    Yvonne Arnaud Theatre
    Guildford
  • 18 Nov - 22 Nov 2008
    Malvern Theatres
    Malvern
  • 25 Nov - 29 Nov 2008
    Theatre Royal Brighton
    Brighton


Far From the Madding Crowd
A new adaptation by Mark Healy, based on the novel by Thomas Hardy


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